There are 145 entries in Classics
FEATURED CLASSICS MOVIE

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Vertigo (1958)
Read more: Vertigo (1958)“The language of the camera is the language of our dreams.”-James Baldwin. No director was more fluent in that language than Alfred Hitchcock. Vertigo is the most conspicuous example of his fluency. Vertigo is a Pygmalion and Galatea story. The question in this case, who is Pygmalion and who is Galatea? When, is a better…
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Juno and the Paycock
Read more: Juno and the Paycock1 hour 34 minutes Fair Value of Juno and the Paycock: $-5.00. 1920s knockoff Bernard Shaw misery porn that lacks in much of the style or timing that Hitchcock would later display. This early Hitchcock film shows why he went to thrillers and suspense- it’s artless and heartless. Summary of the Concept: A poor…
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Secret Agent (1936 Hitchcock film)
Read more: Secret Agent (1936 Hitchcock film)1 hour 26 minutes Fair Value of Secret Agent: $2.00. If it’s streaming, it’s a good old timey punt, with amusing performances by Peter Lorre and John Gielgud Summary of the Concept: During World War I, a newly commissioned British spy is tasked with identifying and catching a German spy moving through Switzerland. What’s…
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The 39 Steps
Read more: The 39 Steps1 hour 26 Minutes The Grandfather of all Spy Films. Without The 39 Steps, no Bond. No Bourne. No The Fugitive, the most obvious modern descendant of this film, which truly established Hitchcock on the map of international cinema. Fair value of The 39 Steps: $20.00. It’s must-see cinema, in the same way as Star…
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Playtime (Jacques Tati’s)
Read more: Playtime (Jacques Tati’s)2 hrs, 36 minutes, suitable for all ages Q’esque que c’est? The last of Jacques Tati’s Monsieur Hulot comedies, a major inspiration for Rowan Atkinson’s Laugh In. Fair value of Antrum: $25.00. I really can’t think of another film like it. In some ways, it evokes Chaplin’s Modern Times, but it has a subtlety and…
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Suspicion (1941)
Read more: Suspicion (1941)“Gaslighting” is the use of psychological manipulation to make a person doubt their own sanity, and even to lose it. The term derives from the 1938 British play Gas Light and its 1940 and 1944 film adaptations from Britain and Hollywood, respectively. It is somewhat surprising Alfred Hitchcock was not at the helm of the…
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Dreamers: John Huston’s The Treasure of the Sierra Madre & The Misfits
Read more: Dreamers: John Huston’s The Treasure of the Sierra Madre & The MisfitsSpeaking of cowboys, Isabelle Steers (Thelma Ritter) says to aging cowboy Gay Langland (Clark Gable), “I love every miserable one of you, though you’re all good for nothing, as you well know,” to which he replies, “That may be, but it’s better than wages.” That motto (“it’s better than wages”) is referred to several times…
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12 Angry Men
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Matters of Survival: A Note on In a Lonely Place & Bigger Than Life
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The Legacy Of Silent Film
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Period Of Adjustment
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The Bishop’s Wife (1947)
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We’re No Angels (1955)
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Loving the Bomb: Technology & Conquest in the Films of Stanley Kubrick
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The Bridge On The River Kwai
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The Farmer’s Wife (1928)
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Vertigo (1958)
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Juno and the Paycock
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Secret Agent (1936 Hitchcock film)
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The 39 Steps
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Playtime (Jacques Tati’s)
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Suspicion (1941)
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Dreamers: John Huston’s The Treasure of the Sierra Madre & The Misfits
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The Truth Of The Matter
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Forgotten Classics: The Swimmer (1968)
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Network: A Look At A Classic
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Kiss Me Deadly
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The Birds (1963)
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The Last Man on Earth (1964)
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The Fighting 69th (1940)
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A Note on Hitchcock’s Strangler Trilogy.
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John Welsh’s Look At Turner Classic Movies