Category: Classics & Hitchcock
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The Lost Weekend
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Read more: The Lost WeekendThe Wet House provides a judgment-free atmosphere for drunks, but there was no such thing in the world of this ground-breaking movie that was made in 1945.
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Sunset Blvd. (1950)
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Read more: Sunset Blvd. (1950)Whom other than the broke, down-on-his-luck writer could tell the story of granduers past and golden eras faded into weed-choked shadows of their former grace.
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Army of Shadows (1969)
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Read more: Army of Shadows (1969)On its surface, this is a precise examination of the French Resistance, shot in a documentary style on location.
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Russian Ark (2002)
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Read more: Russian Ark (2002)95 minute unbroken shot Russian film. Breathtaking Beauty. The Results? Empty theaters, indifference, deathly silence.
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White Heat (1949)
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Read more: White Heat (1949)Goodfellas’ Joe Pesci won an Oscar for his Spider-squashing portrayal of a nutso mobster but when it comes to wiping people out he pales next to his forerunner, the similarly dwarfish Cagney. Good grief, the insane Cagney is a one-man army of death.
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Witness For the Prosecution
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Read more: Witness For the ProsecutionWitness for the Prosecution is a Billy Wilder classic based on the novel by Agatha Christie. There are many great courtroom drama movies, like 12 Angry Men, with plot surprises, turns and twists, but there is no other movie like this one for a shocking and unexpected conclusion. This film is one of the very best.…
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Onibaba(1964)
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Read more: Onibaba(1964)Few among you are likely to watch a Japanese film that doesn’t feature either copious amounts of kung fu or a large, fire-breathing lizard, but…
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Great Expectations (1946)
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Read more: Great Expectations (1946)Directed by David Lean. Screenplay by David Lean, Anthony Havelock-Allan &Ronald Neame Based on the 1861 novel by Charles Dickens. With: John Mills, Valerie Hobson, Bernard Miles (who we’ll see ten years later as a kidnapper in The Man Who Knew Too Much). Here, he is kindly blacksmith, Joe), Francis L. Sullivan as Mr. Jaggers…
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Splendor In the Grass
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Read more: Splendor In the GrassElia Kazan’s Splendor in the Grass just might be the first Hollywood film to argue that virginity is the surest ticket to emotional instability
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Double Indemnity
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Read more: Double IndemnityIn a just universe, we’d all toil tirelessly in Billy Wilder’s cinematic fantasy, never once questioning his authority or perspective. There have been more visionary artists to be sure – and certainly more ambitious – but few are as perfect a fit for any occasion. Because of his genius regarding the melding of humor, pathos,…